In our April 2021 newsletter, President Alan Rich talks about his hopes for the spring and coming year, including the possibility that the Paint the Town Labor Day Show in Kensington may proceed in person.

We also preview some upcoming events and feature 13 members' recent art achievements.

Read this month's edition

by Judith Levine

Lee Krasner : Lenore "Lee" Krasner  October 27, 1908 – June 19, 1984

Lee Krasner by Irving Penn

Lee Krasner is often thought of as Jackson Pollock’s wife and staunchest supporter. That is true, but Krasner was an accomplished artist in her own right.  The only one of her siblings born in the US to immigrant Jewish parents, she grew up in Brooklyn, NYC.  (1) “Her career as an artist began when she was a teenager. She specifically sought out enrollment at Washington Irving High School for Girls as they offered an art major. After graduating, she attended the Women's Art School of Cooper Union on a scholarship. There, she completed the course work required for a teaching certificate in art.^[5] Krasner pursued yet more art education at the National Academy of Design in 1928, completing her course load there in 1932.” (2) Unhappily, little work from her early years remains as much was destroyed in a fire. One that does is a self-portrait now belonging to Metropolitan Museum of Art. Her eventual move into abstraction can be seen even in this piece.

Self-Portrait-ca. 1929, Oil on canvas, 30 × 32 1/8 in. (76.2 × 81.6 cm)

After completing her education, of necessity during the Great Depression, she took a job with the WPA in 1934. It entailed enlarging others’ works for use in murals, etc. She hated it but because of the time, she remained there until 1943. She continued making works of her own.  In 1937, she would attend the 8th Street atelier run by renowned German cubist artist Hans Hoffmann; it was a major turning point in her life and work. “...already an established figure in the local art scene, met her future husband [Pollock] at a 1941 exhibition where both had works on view. The pair married in October 1945 and soon moved to a rural East Hampton farmhouse where they could better focus on their craft. While Pollock was busy creating his characteristic panoramic drip paintings, she was focused on producing her kaleidoscopic canvases.” (3)

She spent a good deal of her marriage supporting and encouraging Pollock’s work and her own became subsumed in many ways. The public saw her as Pollock’s wife and seemed to forget that she was just as talented. Only after their separation and his death would she put the same energy in to promoting her own incredible work. Unfortunately, the image of her as Jackson’s wife was so deeply embedded in the public’s mind, she was basically ignored. It didn’t matter to Krasner who just kept on painting and making collage works and mosaics, even using pieces of older work to make them.

        

Desert Moon, 1955                             Icarus, 1964

Mosaic Table-1947

Krasner would have only one major retrospective during her life, Lee Krasner: Living Colour at the Barbican. London’s “Barbican is displaying the first major presentation of her work in Europe in over 50 years, with nearly 100 paintings on view for the first time in the UK. This brilliant retrospective shines a much-needed light on Krasner’s work,...” (4)  Finally someone said it out loud.  “Unfairly associating Krasner with Pollock and finding Krasner wanting is a bad old habit. Let’s have no more of it... Krasner... knew many things. She was a synthesizer. She welded gesture to color, Matisse to Picasso, expression to decoration and figuration to abstraction. She combined aggressively fractured forms with rounded stability. She found astonishing ways to marry centrifugal energy to lashed-together, locked-down forms.” (5)

It is finally Lee Krasner’s time to shine. Her brilliance is now out from under a husband’s long shadow. Krasner’s work influenced many of her contemporaries. Let her now influence yet another generation of artists to be bold, seek out what is most important to them and let it be seen in every work. Gender is not a bar to excellence in art anymore.

References

1. Biography.com, 4/12/19
2. Rose, Barbara. Lee Krasner: A Retrospective. New York: The Museum of Modern Art, 1983. pg. 13
3. Meilan Solly, Smithsonian Magazine, 5/ 2019
4. Lee Krasner: Living Colour at the Barbican,  Antonia Cunliffe, That’s Not My Age,  5/ 21/ 2019
5. Sebastian Smee, The Washington Post, 5/1/ 2020

April’s New Member Spotlight  - Renee Hanson, PhD

Hometown:  Kensington, MD

Media and Subjects:  Graphite, charcoal, and colored pencil drawings of people, portratis and environments. 

Why you joined MAA:  I would like to connect more with local artists. 

Something fun about you:  I am a self-taught artist.  I have been illustrating on and off since childhood as a hobby.  I was interested in fashion design as a teenager.  When I was fifteen years old, one of my design drawings was created and featured in a Washington, DC fashion show.  I am mostly an academic but I soon realized that I still love to create art and that this skill will always be part of my life.  

Artist Biography:  Renee Hanson completed her Joint PhD. degree at Rutgers University, the New Jersey Institute of Technology: School of Architecture, and Rutgers Biomedical and Health Sciences: Rutgers School of Nursing specializing in Urban Systems:  Global Urban Studies/ Education, Health, and Environment.  Renee was also awarded a highly competitive dissertation fellowship from Rutgers University-Newark to complete her degree.  Hanson has a master’s degree in sociology from American University and a bachelor’s degree in African American Studies from the University of Maryland, College Park.  Her areas of interests are in education, health, environment, history, sociology, urban studies, data science, and policy.  

Renee has over fifteen years of professional expertise as a scholar for public policy corporation, researcher, education program and project coordinator, education specialist, teacher, and consultant.  As an emerging scholar, Renee was funded for research on K-12 education issues, health, poverty, and other areas concerning communities of color.  She was the program coordinator for American University Ronald E. McNair Scholars program which recruits low-income, first generation and/or underrepresented undergraduate students at American University and the University of the District of Columbia in preparation for doctoral study. 

Renee has a dozen published articles/reports in the areas of education, health, sociology, and history.  She was designated as a peer reviewer by the American Educational Research Association (AERA) for their 2016 Annual Meeting and was recently a peer reviewer for the 2021 AERA Annual Meeting.  She served as the project coordinator for the National Center for Science and Civic Engagement’s (NCSCE) STEM project, and hosted by the Department of Technology and Society at Stoney Brook University. 

Renee most recently submitted work to the MAA Still Life Show in December 2020.  Please enjoy a few of Renee’s art pieces below. 

               

By Martina Sestakova

Members of Montgomery Art Association come from all walks of life and their artworks and creative processes reflect this wonderful variety. In this blog, we invite you to enjoy a selection of pieces that explore the beauty of black and white. Scroll down to enjoy a lovely array of ideas!

Elissa Leibowitz Poma, “Toledo Bar Trio,” ink on paper, 8x8”

Jean Fin, "Play Time," oil, 16x20”. Tuxedo cat steps out of the shadow for play.

John Mac Arthur, "Life Rolls Along," acrylic, 8"x10"

Alexandra Treadaway-Hoare, "Black and White with a Splash of Color!," watercolor, 22x15" 

Marti Wells, "Eric Contemplating Donkey's Diet," pen and ink, 8x10"

Alan Rich, "Beach Sweet Home," watercolor on paper, 8x6". Current WIP, will be adding watercolor to it.

Martina Sestakova, "Walking Through," acrylic and yupo, 4x6". I never paint in black. This may be the first time in about 3 years. But the inspiration - the words 'walking through' - kind of called me to use black as a symbol of some of life's darkness and the fact that we indeed have the power within to get through everything.

Christopher Hoppe, "Shadows,” charcoal on paper, 12x18". Doing studies on Poppy flowers in preparation of doing a series of varies flowers in oil paintings on canvas.

Judith Levine, "Lost in the Moment," natural India ink on paper, 9x12". I was watching a rehearsal, sketching and noticed this one dancer moving almost as if in a trance. I just needed to catch that moment.

Jeanne Sullivan, "Majesty," mixed media collage, 11x14". Inspired by rocky mountain landscapes, I used hand painted and altered papers to turn the landscape into more abstract features.

Pritha Srinivasan, "Nina," charcoal sketch, 4x6". Sketch of my daughter Nina from some years ago.

Hiral Joshi, "Drizzling Dreams," acrylic on canvas, 18x24"

Paige Friedeman, "Kokeshi," digital illustration.

Tena Turner, "Jennifer," pencil on paper, 23x18"

Pat Koval Whittle, "The Event," charcoal, graphite, paint pen and marker, 22x30". This abstract represents the chaos of life events, the rising white chevron represents hope.

Dora Patin, "Regal, "oil, 8x10”. Standard poodles are very proud and smart dogs. It’s wonderful to watch them as they move with elegance and grace. On the other hand, they are also very silly and playful. I think this portrait symbolizes both characteristics: it’s a traditional composition with an added playfulness by the colorful bow.

Elizabeth Amanda Elgin, "Magpie Zebra Connection," oil, 8x10". Ref photo by Paul Fine, with permission.

Maria-Elena Lazarte, "Memories," acrylics on canvas, 24x18”. To paint this still life, I used different objects like my daughter’s sculpture, the lace tablecloth, jewelry box to create a composition of memories.

Angela White, "Revelation," encaustic, mixed media on wood cradle, 12x16”. Using some of my Indonesian Tjaps, I created patterned layers.

Susan Farrer, "Artie's Boots," graphite on paper, 9x12". This drawing was inspired by a photo from a friend who gave up his Red Wing boots after decades of use -- such personality and so many memories in those boots!

Thank you for stopping by and enjoying the artworks of our members! Be sure to check out our other blogs as we celebrate the unique artworks of local Montgomery County artists. 

New Member Spotlight March: Rodney Mayer 

Lives in: North Potomac, Maryland … Having lived in the same home for many years, I actually lived in North Potomac before there was a North Potomac.

Website: 

https://www.rodmayerart.com

Media and subjects: I started with traditional oil on canvas, particularly landscapes as subject matter, due to my educational background in geography and an interest in hiking and the outdoors. Recently I began to work in the medium of wine on canvas …. Yes, wine…. Not quite sure how I got on to the idea, but there is at least one Italian artist working in that medium. More recently I began creating some quirky or offbeat 3-D works, including pasta sculptures. Another 3-D work features natural tree remnants, and I am starting work on other “sculptures” consisting of recycled paper and plastics. 

Why you joined MAA: Having exhibited with the Maryland Federation of Arts at the state level, and the City of Gaithersburg at the local level, I was looking to become involved with an arts organization in between these two levels.

Something fun about you: I grew up in the town of Punxsutawney, Pennsylvania … home of the groundhog, which is featured on the news every February when they celebrate Groundhog Day. 

Artist Biography:  At the risk of revealing my age, my interest in art dates back to grade school years when I created pencil on paper drawings of the Beatles performing.  Later, in 7th grade art class in the Pittsburgh, Pennsylvania city schools, my art teacher admired a painting of mine titled "City of Bridges".  Pittsburgh, with its three rivers, is known as the city of bridges.  

After college-followed by a 30 year career with the federal government, I decided to return to my artistic roots.  I joined the Maryland Federation of Art in 2019 and have had my artwork selected for six different shows over the 2019-2020.  One of those shows was at Waverly Gallery in Bethesda where I was presented an "Honorable Mention" award for my pasta sculpture titled "Elbow Room".  This work was actually cited in a gallery review of the show in the Washington Post newspaper.  

Below are a few of my works.  "Elbow Room" is the last image presented below. I hope you enjoy them. 

                   

                      

By Martina Sestakova

Members of Montgomery Art Association come from all walks of life and their artworks and creative processes reflect this wonderful variety. In this blog, we invite you to enjoy a selection of pieces that explore the beauty of winter with its sights and activities. Scroll down to enjoy a lovely array of ideas!

Amanda Spaid, "Rockville Roost" (Colored Pencils on Wood, 18" x 24"). Every winter for at least the last 40 years millions of crows gather near Rockville Pike and Montrose Road, making for a spectacular sight at sunrise and sunset.

Judith Levine, "Circus Pony" (Watercolor on Fabriano 140lb Cold Press, 3 x 4"). This relates to a winter activity for me. I have been entering the Strathmore Miniature Show and this was one of my first accepted entries. It's called "Circus Pony" and the dance, Maria Kouppari, who is depicted, is a close friend.

Jamie Downs, "Winter Rush" (Mixed Media, 18.5 x 26"). This was during a big snow storm 5 or 6 years ago. A bunch of crows were determined to be on my snowy bird feeder at the same time. 

Paige Friedeman, “Casselman River Bridge” (Digital Painting). This piece was based on a beautiful photograph by a Maryland nature lover & photographer Thelma Beachy Lanteigne from whom I got permission to do my artistic interpretation.

Rosemary Behizadeh Yue (Acrylic on Canvas, 16 x 20"). A friend posted a picture of her road as she was snowed in. I loved the photo and the painting is now on her walls.

John Mac Arthur, “Snowy BNB Detroit” (Acrylic, 8 x 10"). This is a friend's first winter after opening a BNB in Detroit. They moved from Florida. First snow experienced.

Marti Wells, "Little explorer" (Watercolor,  14 x 16"). My little grandson exploring the great beyond. 

Heather Pattee Medrano, "Colorado Cabin" (Oil Stain on Beetle Kill Pine, 8 x 16"). This was a commission of 6 pieces for an owner of an all year Christmas shop in Colorado. I was given 6 pieces of Colorado beetle kill lumber and instructions for each piece. The lumber itself to me is the beauty.

Cecilia Tobler, “Esta Nievando” (Acrylic on Canvas, 371/2 x 371/2). Snowing in the village. Nothing like waking up to fresh pure powdery snow.

Maria-Elena Lazarte, "Snowing" (Oil on Canvas, 12 x 9"). Plein air painting during a snowing day in January 2021.

Freddi Batt Weiner, "White Birch Trees in Winter" (Acrylic, 16 x 20"). February 2021. 

Thank you for stopping by and enjoying the artworks of our members! Be sure to check out our other blogs as we celebrate the unique artworks of local Montgomery County artists. 

by Judith Levine

Basquiat (December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. It was his mother Matilde who introduced and encouraged him to begin his journey as an artist. She had taken him frequently to galleries in his native New York City and enrolling him in art classes. At age 7, while recovering after being struck by a car, she purchased a copy of Grey’s Anatomy; he eagerly dug into the book. (Basquiat was reading and writing by age four. By the age of 11, Basquiat was fully fluent in written and spoken French, Spanish and English.) The volume excited the already prolific youngster and began his lifelong interest in the human figure.

Somo, 1978

Photograph by Richard Corman June, 1984

Basquiat was self-taught. His style was a pulsing Neo-Expressionism, primitive and throbbing with his vision of Black Americans and with his life long struggle with mental illness. Yet he said,” Believe it or not, I can actually draw.” Early work often included a crown with three prongs. It remained as part of his signature even when not in the work. Fellow artist “Francesco Clemente said "Jean-Michel’s crown has three peaks, for his three royal lineages: the poet, the musician, the great boxing champion. Jean measured his skill against all he deemed strong, without prejudice as to their taste or age." (Biography.com Editors, April 1, 2014) Within three years of exploding onto the national scene in 1980, his work became even starker. The colours are bold, strong pure. He does little blending, as if telling us not to bleed his messages. Basquiat was always acutely aware of being a Black man in America and of the history of his people. “According to Andrea Frohne, Basquiat’s 1983 painting ‘Untitled (History of the Black People)’ “reclaims Egyptians as African and subverts the concept of ancient Egypt as the cradle of Western Civilization...At the center of the painting, Basquiat depicts an Egyptian boat being guided down the Nile River by Osiris, the Egyptian god of the Earth and vegetation.” (Jean-Michel Basquiat: Poverty and Power, Scrawled on Walls, Visual Art, Jack Eidt,11/ 2017)

Untitled (1982)

Profit I – Jean Michel Basquiat, created in Italy in 1982

Untitled (History of the Black People) (1983)

 “The young artist was befriended by the Pop artist Andy Warhol in 1983, and the two began to collaborate occasionally.” (Lisa S. Wainwright,  Encyclopaedia Britannica) He loved to travel, going in 1986 to Abijan in the Ivory Coast for a show and then to Germany, where “...at the 25-year-old exhibited nearly 60 paintings at the Kestner-Gesellschaft Gallery in Hanover, Germany — becoming the youngest artist to ever showcase his work there.”(Biography.com Editors, April 1, 2014)

Basquiat dealt with personal demons his whole very short life. His mother Matilde Basquiat, perhaps the most important person in his life, certainly in his becoming an artist, was mentally ill. Her increasing illness led to her becoming permanently institutionalized by the mid 1970’s after his parents divorced. He bounced back and forth between Puerto Rico and New York City. This eventually led to his dropping out of high school at age 17. Living intermittently on the streets, he held a series of menial jobs but at the same time began to work as a graffiti artist and then moved to canvas, working in spray paints and acrylics and other media. By the early 1980’s he was trying to deal with his own increasing mental health problems by using illicit drugs. “He became paranoid and isolated himself from the world around him for long stretches. Desperate to kick a heroin addiction, he left New York for Hawaii in 1988, returning a few months later and claiming to be sober.

Sadly, he wasn't. Basquiat died of a drug overdose on August 12, 1988, in New York City. He was 27 years old.” (Biography.com Editors, April 1, 2014)  This tragic event was a huge loss to the art world, now deprived of his powerful, singular vision.  It was a a loss then and still is. Had he lived more than his short tumultuous 27 years, what treasures he might have bequeathed the world? Rest in peace, Jean-Michel.

by Jan Rowland

We're pleased to announce that Diane Wilson has been selected as the judge for the 2021 Creative Expressions Show.

Wilson is a figurative artist who has been an instructor at the Washington Studio School for over 20 years. She brings years of artistic experience as a practicing artist pursuing her own unique style of art with emphasis on the human form and the use of harmonious colors.

Describing Wilson's art, Mark Jenkins, art critic for The Washington Post once wrote, “Dolls merge into humans and frozen dancers conjure movement, in Diane Wilson's fluid drawings and paintings.”

The Creative Expressions Show is one of the MAA's marquee exhibitions each year. Traditionally an exhibition at the Friendship Heights Visitors Center, due to the Covid-19 situation the show will likely be an online exhibition again this year; we will confirm this with our members as soon as we know.

There are five categories for the show: Landscape, Still Life, Portraits, Animal World and Abstract. Medium: 2D Work: Oil, Acrylic, Watercolor, Drawing/Ink medium. Photography and 3D work are not included in this show.

The 2021 show is planned to be an outstanding event for artists and viewers alike. So start planning your entry now.

Advice from the 2020 Judge, Lee Newman is as follows: “ In judging the works submitted to this exhibit I relied on several criteria. Is there a clear visual statement? Is there a command of the elements of the visual language to support that visual statement (or composition). Does the artwork display some mastery of  the craft? I also considered how each piece honored the category it was in. For example, did a painting in the landscape category feature the depiction of nature as its primary subject. Does the portrait painting strive to make a recognizable likeness of a person? I found that there were many excellent paintings some of which didn’t fit the category in which they were entered.”

Our call for entries opens May 3.

See Diane Wilson's work on her website, dianewilsonstudio.com.

Lives in:  Ashburn, VA.

Media and subjects:  Oil, gouache, watercolor, acrylic. My primary medium is oil. Recently I have been working in gouache on black paper and Mi Teint board. 

Why you joined MAA: I love to see other artists’ work and to have opportunities to share my own work. MAA has an excellent cadre of artists to enjoy and learn from.

Something fun about you: I love the beach, no matter its location. One of my favorite hobbies at the beach is shelling. I have a glass coffee table full of beautiful shells I have collected, mostly from FL, but also from other places around the globe.

Social Media:  Facebook:  Lee Ann Howdershell  

Instagram: https://www.instagram.com/leeannhowdyart/

Artist Biography/Statement:

Color is my muse. I am inspired by pops of pure color that appear in nature and other subjects. My paintings vibrate with colors that occur naturally but that we don’t normally take the time to see. The juxtaposition of complementary colors gives a glow to the picture and makes my heart sing. 

The textural quality of oils helps me engage my subject not only in a visual way, but also in a tactile way. Using the palette knife or the brush to push and pull color and texture creates a sense of sculpting on canvas. Painting with gouache gives the viewer a new way of seeing. Thick application of the paint can produce a bold statement while using more water can contribute to a transparent, more ethereal quality. 

I want my paintings to make viewers stop and wonder – I want them to elicit deeper meaning from nature and everyday objects.  While painting, I get lost in seeing things a new way, a way that feeds my soul. I hope my art will do the same for you.

My painting career began at Loudoun Academy of the Arts painting in watercolor with Dell Keathley. Studying Figure Drawing at the Art League with Lisa Semerad helped my drawing skills.  I have spent the last several years studying at the Yellow Barn Studio where Christine Lashley instructed me in watercolor and beginning oil. The last several years I have been painting both the figure, still life, and en plein air with Walter Bartman, Founder and Director of the Yellow Barn Studio.

Please enjoy of sample of Lee Ann’s art.

  

By Martina Sestakova

Members of Montgomery Art Association come from all walks of life and their artworks and creative processes reflect this wonderful variety. In this blog, we invite you to enjoy a selection of pieces that explore the color lime green in art. Enjoy this lovely variety of ideas!

Sue Fierston, "Coos Bay" (8x10" white line woodcut). Foggy Coos Bay, Oregon, woodcut made with xacto knife on plywood panel, oh did my hand ache afterward!

Paige Friedeman, "#6 Remix" (a 4ft base tetrahedron sculpture). This piece (part of a sponsored commission by One Montgomery Green) made by myself and artists Mary Del Bianco. It is made of mixed media but mainly incorporates repurposed plastic material that are #6 Polystyrene, which is not recyclable in Montgomery County. It was reshaped and manipulated to represent flowers, insects and other organic shapes from nature to remind us all to appreciate the little things around us and reduce our plastic waste. 

Paula Eillum, "Sonja’s View" (9x12" pastel on sanded paper). Mexican countryside outside of San Miguel de Allende where I have spent the past 11 winters.  

Alan Rich, "Gretta" (16x20" acrylic on cradled wood panel). One of a few car portraits I've done.

Judith Levine, "Outside Klum Park (9x12" watercolour on Fabriano 140l lb cold press paper).

Dora Patin, “Pom Poms” (8x10" oil on panel). This is my standard poodle, Darcy. This special panel was sold by Trekell for their annual pet portrait competition.

Jennifer Kahn Barlow, "Potential” (12x16" oil on canvas). Green is the color of beginnings!

Tena Turner, "Summer Flowers" (15x11" watercolor on Fabriano paper). My best offering, lots of green, and some is lime,, especially some small details in the yellow iris. 

Martina Sestakova,  "It Might Mean Something" (26x20" watercolors and acrylics on yupo). The title is words out of Mary Oliver's poem, 'Watering the Stones'. I love Oliver's work and really enjoy exploring her words and their perceived meanings through colors, shapes, and textures.

Rosemary Behizadeh Yue, "Summer Respite" (16x20" acrylic on canvas). Many greens describe cool shadows and lush foliage along a small creek. 

Jenny Wilson, "Violet Coast" (16x24" acrylic on canvas). An imaginary coastline perhaps in Maine or Cornwall.

Jennifer Beaudet, “Into the Weeds” (30x40” oil on canvas). Inspired by coastal Rhode Island and my morning runs past the lush marshland.

Ingrid Lohr Matuszewski, "Clore Road" (20x20" oil on canvas) Madison, VA series. This piece is inspired by childhood memories of Clore Road in Madison County, Virginia where my great-grandfather started Clore Furniture in the 18oo's. This is an abstracted version of the road to the homestead and Clore Furniture.

Thank you for stopping by and enjoying the artworks of our members! Be sure to check out our other blogs as we celebrate the unique artworks of local Montgomery County artists.